bringmethatnpc (
bringmethatnpc) wrote2007-08-24 01:39 pm
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Everything in Panama City had gone mostly according to plan, a rare happenstance for the pirates in this motley crew, and the more superstitious among them spent the first few days on board their new vessel debating whether this meant good luck or bad, fair wind or foul.
The Spanish ship they'd stolen isn't large or particularly pleasing to the eye, being in need of some new paint and wood maintenance, but it's seaworthy and swift before the wind, and most importantly, well-stocked for a long voyage.
And a long journey to Singapore it will be.
The Spanish ship they'd stolen isn't large or particularly pleasing to the eye, being in need of some new paint and wood maintenance, but it's seaworthy and swift before the wind, and most importantly, well-stocked for a long voyage.
And a long journey to Singapore it will be.
Re: Below deck
"Will?" Mal calls around in the mostly-darkened space immediately below, hammocks swinging around him calmly. "You about somewhere?"
Re: Below deck
He's not asleep, though, and rolls out of his hammock the instant Mal calls out, reaching for a shirt quickly.
"I'm here."
Re: Below deck
And Mal does, even though it takes him some time -- no matter how tightly stowed some people's things are, it's still an effort to sidestep stray clothes or belongings on the path to Will's hammock.
"You sleep any?"
Re: Below deck
"Enough," he replies, fastening his belt on firmly, and checking for the position of his sword.
"What do you need?"
Re: Below deck
It's a quick enough answer, and true, even if Mal does keep his voice down in the otherwise empty space for no reason.
"We're close enough to our destination that I figure there can be some planning in specifics taking place? Not that being out on the actual ocean ain't pleasin' and all -- "
Re: Below deck
He can understand having to do something.
"We don't have flying ships around here, Mal. Sailing takes time."
He's not happy about it, though.
Re: Below deck
Mal pauses, here, not sure where to go next, or how to advance plans already laid.
"There're lifeboats on this thing, right? We're not that far out, away from the temple."
Re: Below deck
"We have dinghies. Are you saying we should just take one and go to the temple?"
Change Barbossa's plan? Leave behind Elizabeth and Tonks?
Re: Below deck
Or before Dora's drawn out somewhere without him.
Re: Below deck
Leaving Barbossa would betray the fact that he doesn't have Will's full loyalty, before Will's finished working out how he's going to get the Pearl for himself. On the other hand, maybe Will can prove himself trustworthy by getting this done fast. After all, Barbossa already thinks him simple. Simple and trustworthy would be ideal.
Leaving Elizabeth would mean he didn't have to wait for her to talk to him.
"The temple's on a river. Two men can take the boat up there without much difficulty."
That's a 'yes'.
Re: Below deck
Mal's grinning.
"I can leave as soon as I tell Dora I'm off. When are you thinkin'?"
Re: Below deck
"I'll tell Barbossa," he concedes, then adds without a pause, "and Elizabeth. Then I'll see you on the main deck."
Re: Below deck
Without another word, Mal starts heading off, making his way back through the swinging hammocks to find Dora.
Re: Below deck
After waiting a handful of deliberate seconds for Mal to leave, Will follows. He has no intention of telling Elizabeth, but he is going to tell Barbossa. If only to prove his trustworthiness.
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She stops, absently twisting the stem of the apple she'd just pilfered (Barbossa had insisted on bringing apples) and stares at Will, distant expression firmly in place.
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His mouth tries to smile, but it fades.
"Aren't you sick of apples, yet?"
He nearly is.
Re: Below deck
Her attempt at a smile is slightly more successful, if not at all convincing.
"But by eating the bread, one is in danger of breaking one's teeth."
This is easily the most she has said to him at one time in a week.
Re: Below deck
"Is Tonks getting enough to eat?"
Re: Below deck
There's an odd note to the statement, as if she's unconsciously jealous of the time Tonks and Mal spend together, the care he takes with her. Which isn't the real problem, of course.
This is the real problem.
"She stopped being sick," she blurts out, then immediately drops her gaze to the apple in her hand.
Because she's missed him, missed talking to him and looking at him, missed knowing that he's looking right back. Even if she can't meet his eyes right now.
Re: Below deck
Will pauses, looking at her steadily. He wants to reach out. Touch her face, brush her hair out of her eyes, make contact somehow. He wants to comfort her, because it breaks his heart to see her like this, to know she can't look up at him, can't meet his eyes.
She must really miss Jack.
That thought ruins everything, and pity is replaced by a bitter resentment. Subtly, Will draws back.
"Glad to hear it."
Re: Below deck
"Yes," she snaps quietly. "I can't imagine you would take pleasure in her suffering."
Sometimes, when her heart is especially sore, Elizabeth forgets this is mostly a mess of her own making.
Re: Below deck
Will's face hardens further, eyes searching Elizabeth's face again.
For a second there he had been hoping she'd talk to him, that it would be made OK. That he would be able to ask her to wait for him while he went after the map to speed up things.
Instead he turns, and heads up the stairs.
Re: Below deck
It's times like this that she keenly feels the limited space on board.
After another few minutes staring blankly at the stairs, she turns on her heel and stomps away.
Later, she goes to find Barbossa.
Re: Below deck
"Suppose she's about as thrilled with things as Dora was."
What Will may or may not notice is that Mal's gone through a slight costume change -- not so much a makeover as removing all evidence of mass-market clothing manufacture.
He misses snaps.
"Ready to go?"
Re: Below deck
"Right," Will says, distant at first, before he pulls his focus back. "Right, let's go."